I'll Fly Those Fellas Home (The Boys Come Rollin' Home, Tommy Sands)

"Here we go, Frank.  Come on.  Come on...  Amen."
- Frank, The End

Another Frank song.  I had presumed him dead ever since The Candidate, so I was thrilled to see him turn up alive after all, and then wind up one of the big heroes of the finale.  Here's Frank to the tune of the Irish Rovers' The Boys Come Rollin' Home.

I’ll Fly Those Fellas Home

I always will remember well the strange September day
Norris flew 815 out of Sydney.
I gotta get my rest, but oversleeping doesn‘t pay,
‘Cause poor Seth, he didn’t do so great, now did he?

But I’ll get through this.  I’ll do this.  I braved the salty foam.
With some spunk and with a prayer, I will get ‘er in the air,
And I’ll fly those fellas home.

I made it to the freighter with a madman and his friend.
My chopper didn’t crash in stormy weather.
I got us off the Island and I lost the beard and then
I brought Jack and all his buddies back together.

So I’ll get through this.  I’ll do this.  I braved the salty foam.
With some spunk and with a prayer, I will get ‘er in the air,
And I’ll fly those fellas home.

Now Miles has got his duct tape, and Ricky’s by his side,
And Ben is somewhere with his walkie-talkie.
I see the Island crumblin’, and it‘s lookin’ like we‘re fried,
But it‘s tiger time; I kinda feel like Rocky!

So I’ll get through this.  I’ll do this.  I braved the salty foam.
With some spunk and with a prayer, I will get ‘er in the air,
And I’ll fly those fellas home.

We're goin’ down the runway now, and a few folks showed up late.
I wonder, is it fun to see me stressing?
But in they go, with buckles on, so Sawyer, Claire and Kate
Are part of 316 and share the blessing.

Yeah, I’ll get through this.  I’ll do this.  I braved the salty foam.
With some spunk and with a prayer, I will get ‘er in the air,
And I’ll fly those fellas home.

Yeah, I’ll get through this.  I’ll do this.  I braved the salty foam.
With some spunk and with a prayer, I will get ‘er in the air,
And I’ll fly those fellas home.

Yeah, I’ll fly those fellas home!

The Boys Come Rollin' Home

I Will Destroy the Beast (God's Own Fool, Michael Card)

"It's where I was told I could summon the monster. That's before I realized that it was the one summoning me."
- Ben, What They Died For

Ben's actions on the Island in What They Died For initially really depressed me because it felt like such a sad regression back into villainy. But the more I think about it, the more certain I am that Ben is running his own con, and because of his incredibly dark past and his willingness to kill his old enemy to get his point across, he may just be able to pull it off where Sawyer failed. Here's hopin'. Here is Ben to the tune of Michael Card's God's Own Fool.

I Will Destroy the Beast

Seems he misled me for all of my life
Since I came to this place as a kid,
And he molded me into a murderous man.
I cringe at the things that I did.
For ever since Jacob clutched me as he died
And then Miles confirmed that he cared,
I've seen how this monster made use of my pride
Until I was wholly ensnared.

So I, in my foolishness, ate up his lies.
I was his tool then, but now I’ve grown wise.
When I was a leader, he conned me so long.
Now I’ve been humbled and know I was wrong.
And so I’ll make that thing a fool.
I owe that to Jacob at least.
I won’t stand by and be his tool.
I will destroy the beast.

I’ll give up my life for the sake of this con
That will rid us of evil at last.
I’ll do it for Jacob and Alex and John.
I’ll purge the mistakes of my past.
I’ll surrender the power that never was mine,
Be the man Jacob hoped I could be.
For I’ve been through the fire and I’ve been refined,
And though I was blind, now I see.

Yes, I, in my foolishness, ate up his lies.
I was his tool then, but now I’ve grown wise.
When I was a leader, he conned me so long.
Now I’ve been humbled and know I was wrong.
And so I’ll make that thing a fool.
I owe that to Alex at least.
I won’t stand by and be his tool.
I will destroy the beast.

So I’ll make that thing a fool.
I owe that to John Locke at least.
I won’t stand by and be his tool.
I will destroy the beast.

Alex's Grave (The Minstrel of Cranberry Lane, Michael and Judy Callahan)

"It's Alex... It's your daughter... After you left, I buried her."
- Richard, What They Died For


One of my favorite parts of What They Died For was the small scene in which Richard tells Ben that he buried Alex. It was such a testament to his decency and his long friendship with Ben. Additionally, I've been thinking a lot about Jacob as an Obi-Wan figure and his brother as akin to Anakin, and I've decided that Richard is like Yoda: old, wise, spending most of his life as an adviser. He's certainly acted as a mentor to Ben, and here I see him using this as one last teaching moment as he differentiates between violence for the sake of vengeance and for the sake of eradicating evil. Here's Richard, to the tune of the Irish Rovers' The Minstrel of Cranberry Lane.

Alex’s Grave

I have a confession to make.
I hope it helps ease your ache.
See, our friend here has found
Where I laid her in the ground.
We’re standing on Alex’s grave.

I heard the news, and I grieved
To think of your being bereaved
And remembered her wings
When she soared on these swings.
We’re standing on Alex’s grave.

Though I have felt the weight of grief
And the wrath that enticed me to kill,
It’s best to restrain every urge to cause pain,
To exert our virtue and will.

Ben, I know that has never been easy for you.
I’ve been trying to teach you for years.
Yes, I’ve told you that hate is a deadly drug
That only will lead to more tears.

But foiling the Devil could free us from Hell,
So let’s collect some C-4.
Although violence is wrong, it is time for the end.
It’s time we concluded the war.

We’ve gone through our ups and our downs,
With our laughs less abundant than frowns.
But you always will be important to me.
We’re standing on Alex’s grave.

Yes, you always will be important to me.
We’re standing on Alex’s grave.

The Minstrel of Cranberry Lane

The Ballad of Frank Lapidus (Pecos Bill, Eliot Daniel / Johnny Lange)

I was bummed out that Frank Lapidus was booted so ingloriously from the show, without so much as a sad word from Hurley afterward. I've always regarded Frank Lapidus as having a bit of a folk hero quality about him, so I couldn't resist memorializing him to the tune of that rollicking ode to Pecos Bill introduced to me by the Disney cowboy album Pardners.  (Post-finale note: Frank survived!  Yay!  But I figure a folk hero usually has wildly different accounts of his life, so I'll let this stand...)

The Ballad of Frank Lapidus

Well, Frank Lapidus was a pilot with a passion.
With precision, he prevented accidents.
He never crumbled in a panic when he flew for Oceanic,
Thanks to stellar skills and simple common sense.

So hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.
Hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.

Charlotte, Dan and Miles hopped in a helicopter,
And the chopper, it was piloted by Frank,
So in that bit of the Pacific, though the weather was horrific,
They all made it out, and he’s the one to thank.

So hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.
Hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.

Well, he flew Jack and his buddies off the Island -
And then three years later, flew them back again.
He shrewdly showed that he could steer a massive airplane from Ajira
To the landing strip that was engineered by Ben.

So hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.
I said, hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.

After hijacking a sub along with Sawyer,
Frank Lapidus heard a devastating boom.
It was a prelude to his dyin‘, but at least he went out flyin’
When the door sent him a-soarin’ ‘cross the room.

So hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.
I said, hip-hip-hooray, hooray! What a great guy-uy-uy.
Yeah, that Frank Lapidus really knew how to fly.

Pecos Bill

Communication (The Blues Run the Game, Jackson Frank)

"In Empire, Luke found out Vader was his father, but instead of putting away his light saber and talking about it, he overreacted and got his hand cut off. I mean, they worked it out eventually, but at what cost? Another Death Star was destroyed, Boba Fett got eaten by the Sarlacc, and we got the Ewoks. It all could've been avoided if they'd just, you know, communicated."
- Hurley, Some Like It Hoth

In Some Like It Hoth, when he learns that Miles isn't taking advantage of his opportunity to bond with his estranged father, Hurley has something to say about it. Here are his words of advice to the tune of Simon and Garfunkel's The Blues Run the Game.

Communication

Hey, I get the way you’re feeling.
I used to hate
My dad for ditching me,
For leaving my mom and me.
He hurt us both, you see,
But we communicate.

We patched things up together
The best we could.
Now we’re the best of buddies.
Now we’re the best of friends.
Wish it had happened sooner.
Forgiving him felt so good.

It’s like with Luke and Vader.
Sure, the guy was shocked.
But what a world of trouble -
And those annoying Ewoks -
He’d have avoided
If the two had only talked.

Hey, I get the way you’re feeling.
I used to hate
My dad for ditching me,
For leaving my mom and me.
He hurt us both, you see,
But we communicate.

Take the gift that you’ve been offered.
Maybe it’s your fate.
You never knew your dad.
You figured he wasn’t nice.
But trust me, you’ll be glad
If you communicate.

Don’t delay like Luke and I did.
Take your second chance.
You might discover
That you love your father.
You’ll uncover
More than you did at first glance.

Though I get the way you’re feeling,
Miles, please don’t wait,
Because you never know
When any of us could go.
No time to take it slow.
Just go communicate.

Tell Me About It (Tell Her About It, Billy Joel)

"Is there something you wanna tell me?"
- Miles, Recon

Miles and Sawyer are two of LOST's most abrasive characters. Both of them have used verbal acuity to belittle others and to obscure the truth. But once the two of them have teamed up, they expect a little bit more out of each other. Here's a song from Miles, lecturing Sawyer in Recon to the tune of Billy Joel's Tell Her About It.

Tell Me About It

Listen, Jim, don’t wanna bug ya,
But I’m worried about you.
You know, you’d like to think you’re good at hiding things,
But that just isn’t true.
I’m your buddy, Jim, and if you are in a bind,
You should let me know whatever is on your mind.

Hey, listen, I’ve known you too long
To buy the act you’re pulling now,
And whoever this guy Cooper is,
He’s got ya riled up somehow.
And I don’t believe that you saw him in Palm Springs
Or you’re calling him so he can pull some strings.

Tell me about it. Tell me why you’re tied in knots.
Jim, I’m a detective, so I can connect the dots.
Tell me about it, ‘cause you sure aren’t foolin’ me.
I’ve got noble reasons to give you the third degree.

Listen, Jim. You’d like to think
That you’re as solid as a rock.
But you’re not alone, so please take advantage
Of the chance you have to talk.
It’s a big relief to get things off your chest.
That’s the reason I am being such a pest.

Tell me about it. Would that really be so hard?
You would feel much better if you’d just let down your guard.
Tell me about it. Tell me where you went last week.
Jim, it makes me nervous that you’re being such a sneak.

I’m gonna go and run your credit card.
Yeah, it’s paranoid, but I’m at my wit’s end,
And our relationship’s already marred
If you can’t just tell the truth to your best friend.

Listen, Jim. No room for secrets
In a proper partnership.
I know sun and sand isn’t what you planned
When you went on your little trip.
I have two good ears; they need to get some use.
I will not accept another phony excuse.

Tell me about it. Tell me why you’re tied in knots.
Jim, I’m a detective, so I can connect the dots.
Tell me about it, ‘cause you sure aren’t foolin’ me.
I’ve got noble reasons to give you the third degree.

Tell me about it. Tell me why you’re tied in knots.
Just tell me about it. Don’t you think I’ve earned your trust?
You gotta tell me about it. I’ll investigate if I must.
You gotta tell me about it. Thought you were my friend.
You gotta tell me about it. The truth will come out in the end.
You gotta tell me about it. You gotta tell, tell, tell me about it.
Tell me about it...

I'll Have You (I Got You, Babe, Sonny Bono)

"I'll have you."
- Ilana, Dr. Linus

Over the years, LOST has provided many powerfully moving moments, but few pack the punch of the emotional, cathartic scene between Ilana and Ben toward the end of Dr. Linus. Could it possibly have been any better? No. It could not. Here's a reflection on one of my favorite LOST moments ever, to the tune of Sonny and Cher's I Got You, Babe (which, incidentally, is prominently featured in Groundhog Day, about a morally bankrupt man who makes wrong decisions again and again before finally making major changes for the better).

I’ll Have You

Ben: My bitter actions caused you pain,
But please, give me a moment to explain.
I was so angry and afraid.
I know you won’t forgive the choice I made...

Ilana: Ben.
I’ll have you, Ben.
I’ll have you, Ben.

Ben: I watched my daughter Alex die.
I could have saved her; didn’t even try.
I blamed myself but blamed Jacob too.
Oh, Ilana, I felt just as lost as you.

Ilana: Ben.
I’ll have you, Ben.
I’ll have you, Ben.

Ben: I believed he didn’t care.
I believed he was unfair.
That changed when Miles heard his voice.
My grief is my fault, for I had a choice.

I told you what I need to, so
I just ask that you will let me go.
I see that Locke’s a monster. Still,
He said he’d have me. Nobody else will.

Ilana: Ben.
I’ll have you, Ben.
I’ll have you, Ben.

Ben: You’ll have me? I’m thunderstruck.
You’ll have me, a sinful shmuck?
You’ll have me? My mind’s a blur.
You’ll have me, a murderer?
You’ll have me? What can I say?
You’ll have me? I can’t repay.
You’ll have me? How can I face
Such a magnitude of grace?

Ilana: I’ll have you, Ben.
I’ll have you, Ben.
I’ll have you, Ben.
I’ll have you, Ben.
I’ll have you, Ben.

Tell My Sister That I Love Her (Knock Three Times, Tony Orlando)

"Yeah, you remember when she said, "Tell my sister I love her"? Well, she doesn't have a sister. That's what we're supposed to say if we get captured, have a gun to our heads. Like right now, Jack here would say, "Tell my sister I love her," you get it?"
- Miles, Confirmed Dead

Last night, while looking up Tony Orlando and Dawn's Candida online, I happened upon Knock Three Times, so that was in my mind when I rewatched Confirmed Dead, the season four LOST episode introducing the Freighter Four. I was especially struck by Miles' exaggerated aggression and Daniel's complete confusion; guess he missed the meeting when they handed out the secret codes. Here's a little recreation of that scene to the latter tune.

Tell My Sister That I Love Her

Miles: Hey there, Jack. I think that you’re nuts
If you believe our security’s really so shoddy.
I know all about her dying.
There’s a likely chance you’re lying.
Soon I will know
Because you’re gonna show me
Her body.

Here’s the story.
If I say,
“Tell my sister that I love her,”
Jack, that is the sign -

Daniel: What sign?

Miles: There’s a gun to my head.
Get this straight, Dan.
Since she said,
“Tell my sister that I love her,”
Oh, I have a hunch -

Daniel: What hunch?

Miles: Why Naomi is dead.

Okay, I guess you guys are all right.
Don’t ask me how, but I now know
That you didn’t knife her.
You seem like a decent fella,
So here’s what I am gonna tell ya:
Be sure to keep your nose out, sniffing for codes to decipher.

Here’s the story.
If I say,
“Tell my sister that I love her,”
Jack, that is the sign -

Daniel: What sign?

Miles: There’s a gun to my head.
Get this straight, Dan.
Since she said,
“Tell my sister that I love her,”
Oh, I have a hunch -

Daniel: What hunch?

Miles: Why Naomi is dead.

Oh. I know all about her dying.
There’s a likely chance you’re lying.
Soon I will know
Because you’re gonna show me
Her body.

Here’s the story.
If I say,
“Tell my sister that I love her,”
Jack, that is the sign -

Daniel: What sign?

Miles: There’s a gun to my head.
(Daniel: I get it, I get it, I get it...)

Miles: Way to go, Dan!
Since she said,
“Tell my sister that I love her,”
Oh, I had a hunch -

Daniel: Wrong hunch!

Miles: Why Naomi is dead.

Please Kill the Girl (We Kill the World, Frank Farian / Giorgio & Giusela Sgarbi)

One of my favorite songs growing up was Boney M.'s We Kill the World (Don't Kill the World), an epic Save the Earth song that is both ominous and inspiring. I've been rewatching the early episodes of LOST's fourth season, and when I revisited this song tonight, I thought it might make a good vehicle for Charlotte's ordeal in Confirmed Dead and The Economist.

Mostly, I stick pretty close to the script, I think; the main change is that I imagine Daniel, who I've always thought of as a Man of Faith as well as a Man of Science, praying for her safety from a distance, and I imagine Jacob watching over Daniel and wanting to offer him some reassurance.

Please Kill the Girl (Don’t Kill the Girl)

Ben: (spoken) I see chaos, despair and chaos.
I see mercenaries on the rise.
This girl, this girl…

Coming to destroy.
She may be acting coy,
But she is in the know.
Many years ago,
I kicked her leader out
And now it’s turnabout.

John: We’ll take her hostage
And we’ll get some answers.
This girl, this girl.

Charlotte: What is wrong with you?
What did I ever do
To make you all so mean?
If I hadn’t seen
This with my own two eyes,
I’d not believe it, guys.

John: We’ll take her hostage.
We’ll get some answers.

Ben: If you don’t watch your back,
This girl’s team will attack.

Please kill the girl
(Daniel: Not her!)
Ben: Kill the girl
(Daniel: Not her!)
Ben: She’s one of them, we ought to condemn her.
Please
(Daniel: Protect her!)
Ben: Kill the girl
(Daniel: I love her!)
Ben: Kill the girl
(Daniel: I need her!)
Ben: She’s one of them, we should condemn her.

Sawyer: If this is the fault
Of taller ghostly Walt,
I wonder if we are
Traveling so far
And cooking up a scheme
Because of Baldie's dream.

John: We’ll take her hostage
And we’ll get some answers.

Ben: If you don’t watch your back,
This girl’s team will attack.

Please kill the girl
(Daniel: Not her!)
Ben: Kill the girl
(Daniel: Not her!)
Ben: She’s one of them, we ought to condemn her.
Please
(Daniel: Protect her!)
Ben: Kill the girl
(Daniel: I love her!)
Ben: Kill the girl
(Daniel: I need her!)
Ben: She’s one of them, we should condemn her.

Ben: Please
(Daniel: Protect her!)
Ben: Kill the girl
(Daniel: I love her!)
Ben: Kill the girl
(Daniel: I need her!)
Ben: She’s one of them, we ought to condemn her.
Please kill the girl!

Hurley: Don’t kill the girl.
Do her no harm.
Though we have cause for alarm,
Don’t kill the girl.
Let her take flight.
Hey, we’re the good guys, right?

Claire: Don’t kill the girl.
Though Charlie died
To warn us who was inside
That boat out there,
He’d shake his head
And say to spare her instead.

Daniel: Don’t kill the girl.
I love her so,
Though I’ve not yet let her know.
I’d trade my life
To keep her whole.
I’d trade my very soul.

Sayid: I’ll save the girl.
Miles, please come with me.
Frank: There’s a chopper spot for you if
You set her free.
Jack: Help save the girl,
‘Cause I don’t trust John.
Remember, Kate, whose team you’re on.

Jacob: Daniel, I know that this is hard.
But keep the faith and be brave.
When she returns, you’ll be her guard.
Her life is yours to save.

Hurley: Don’t kill the girl.
Do her no harm.
Though we have cause for alarm,
Don’t kill the girl.
Let her take flight.
Don’t kill the girl,
This girl.

I'm Gonna Read (I Want to Live, John Denver)

I really enjoyed Namaste, the most recent episode of LOST, which reunited Sawyer and his pals with Jack, Hurley and Kate. Of course, the situation is much more complicated than Sawyer would have imagined three years earlier, or than Jack had anticipated. It will be interesting to see how these two work together in the episodes to come, but for now, Sawyer's got the upper hand. This reflection, to the tune of John Denver's I Want to Live, has Sawyer giving Jack his little end-of-the-episode talking-to, and then I imagine him muttering the bridge and last verse to himself after Jack leaves, admitting to himself that at this point, he's not all that thrilled that his long-lost friends have finally shown up....

I'm Gonna Read

There are leaders forged in crisis, and they dive into the fray.
There are leaders who ignore the risks ahead.
There are leaders who are pensive, leaders who delay
To be sure their fortunes won't get worse and their friends don't wind up dead.

I'm gonna read. I'm gonna drink.
I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead.
I'm gonna think. I'm gonna read.

Did you know that Winston Churchill read a novel every night?
Have you heard he said it helped him think things through?
Would it kill you to say "thank you" for the stunt I pulled today?
Just go get some sleep. I'll spring Sayid by doin' what I do.

I'm gonna read. I'm gonna drink.
I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead.
I'm gonna think. I'm gonna read.

We're the warden and the whisperer, the savior and the sire.
We're the motley crew who you guys left behind.
You're the doctor and the hugger and the half-forgotten one,
And you took so long to make it back, you've put us in a bind.

We've been waiting here with DHARMA, layin' low and blending in.
We've been waiting in a place that feels like home.
No more lean-tos. No more campfires. No more livin' off the land.
If you're gonna mess that up, Jack, then I wish you hadn't come.

I'm gonna read. I'm gonna drink. I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead. I'm gonna think. I'm gonna read.
I'm gonna read. I'm gonna drink. I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead. I'm gonna think.
I'm gonna read. I'm gonna drink. I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead. I'm gonna think.
I'm gonna read. I'm gonna drink. I'm gonna plan. I'm gonna think.
I'm gonna prove I'm fit to lead. I'm gonna think. I'm gonna read.
I'm gonna read.
I'm gonna read.

I Want to Live

Yesterdayland (Yesterday's Men, Phil Coulter)

I've heard very mixed reactions to LaFleur, but I thought it was a wonderful episode that brought us up to speed with Camp Sawyer and gave him his first centric episode since the disturbing Every Man for Himself way back in the beginning of season three. Things were pretty crummy for him then, so it was nice to see him actually fairly serene and settled in his DHARMA life here. Sawyer's one of my favorite characters to write about because he's just so fun, and he has some pretty distinct traits that make it easier to try slipping into his head for a while. Here's what amounts to a recap of LaFleur, ballad-style, to the tune of Yesterday's Men, a seething reflection on sudden job loss sung by George Donaldson of Celtic Thunder. The growly tone fits Sawyer well, but instead of feeling cast aside, Sawyer is at last starting to find a respectable place in the world.

Yesterdayland

Well, the scene wasn't pretty when Red up and died,
Though she vanished before we came 'round.
We found poor Mr. Wizard lookin' frazzled and fried
As he mumbled and gazed at the ground.
Now our leader was lost and our course was unclear.
There was nothin' to do but go find out the year.

Good day to the nosebleeds, confusion and headaches.
Aloha to Locke, and with luck, he won't flake.
Since the time-skipping stopped when he slammed on the brake,
We're livin' in Yesterdayland.
Namaste! We're livin' in Yesterdayland.

So to give us our bearings, we made for the shore
Till we noticed a gal in distress.
Then we thwarted her murder by killing once more -
As if we all needed more stress!
While we walked to her village, I thought she seemed tense.
Then she thanked us by knockin' us out with her fence.

Good day to the nosebleeds, confusion and headaches.
Aloha to Locke, and with luck, he won't flake.
Since the time-skipping stopped when he slammed on the brake,
We're livin' in Yesterdayland.
Namaste! We're livin' in Yesterdayland.

Well, I hobnobbed with Horace, the head DHARMA geek,
Who I fed an elaborate lie,
And I bought his respect and a couple of weeks
By appeasing that Eyeliner Guy.
Till Baldie comes bargin' back in with his knife,
I imagine that I could get used to this life.

Good day to the nosebleeds, confusion and headaches.
Aloha to Locke, and with luck, he won't flake.
Since the time-skipping stopped when he slammed on the brake,
We're livin' in Yesterdayland.
Namaste! We're livin' in Yesterdayland.

Now we're firmly entrenched, and my friends call me Jim.
We're as happy as hippies can be.
Bruce Lee is a nuisance, but I put up with him,
And the boss is dependent on me.
Now Chewie is chatty and Juliet's mine.
I'm thinkin' the Seventies suit us just fine.

Good day to the nosebleeds, confusion and headaches.
Aloha to Locke, and with luck, he won't flake.
Since the time-skipping stopped when he slammed on the brake,
We're livin' in Yesterdayland.
Namaste! We're livin' in Yesterdayland. (repeat)