Isabella (Lorena, Joseph Phillbrick Webster)

"I think I just realized that I wanna live."
 - Richard, The End

Here's a reflection from a newly aging Richard as he takes off from the Island in The End, to the tune of the Irish Rovers' Lorena. (Like most of the Irish Rovers songs I can't find online, this is from The Boys Come Rollin' Home; the version below is similar, but missing the repeated lines at the end.)

Isabella

Oh, the years crept slowly, Isabella,
Since I became an ageless man.
It was my penance, Isabella.
I earned that lengthy, lonely span.
Yet my quest for wisdom was sincere.
I let you be my guiding light.
And since I’ve seen the end is near,
I’m feeling grateful for this flight.

A hundred eighty, Isabella.
Yes, that’s what I am pushing now.
But I have waited, Isabella.
I never broke our wedding vow.
A hundred forty years away
From the night that brought me so much pain,
I love you more with every day,
And my devotion will not wane.

I wear your cross now, Isabella.
It may be another year or ten
Or half a cent’ry, Isabella,
Till at last I'm with you once again.
But I am free, and so to live
Is no longer such a drudgery.
I think I still have more to give
Even though the Island’s done with me.

Oh, the years crept slowly, Isabella,
Since I became an ageless man.
A hundred eighty, Isabella.
Yes, that’s what I am pushing now.
It was my penance, Isabella.
I earned that lengthy, lonely span.
For years, I’ve waited, Isabella.
I never broke our wedding vow.

Oh, the years crept slowly, Isabella,
Since I became an ageless man...


Lorena

Alex's Grave (The Minstrel of Cranberry Lane, Michael and Judy Callahan)

"It's Alex... It's your daughter... After you left, I buried her."
- Richard, What They Died For


One of my favorite parts of What They Died For was the small scene in which Richard tells Ben that he buried Alex. It was such a testament to his decency and his long friendship with Ben. Additionally, I've been thinking a lot about Jacob as an Obi-Wan figure and his brother as akin to Anakin, and I've decided that Richard is like Yoda: old, wise, spending most of his life as an adviser. He's certainly acted as a mentor to Ben, and here I see him using this as one last teaching moment as he differentiates between violence for the sake of vengeance and for the sake of eradicating evil. Here's Richard, to the tune of the Irish Rovers' The Minstrel of Cranberry Lane.

Alex’s Grave

I have a confession to make.
I hope it helps ease your ache.
See, our friend here has found
Where I laid her in the ground.
We’re standing on Alex’s grave.

I heard the news, and I grieved
To think of your being bereaved
And remembered her wings
When she soared on these swings.
We’re standing on Alex’s grave.

Though I have felt the weight of grief
And the wrath that enticed me to kill,
It’s best to restrain every urge to cause pain,
To exert our virtue and will.

Ben, I know that has never been easy for you.
I’ve been trying to teach you for years.
Yes, I’ve told you that hate is a deadly drug
That only will lead to more tears.

But foiling the Devil could free us from Hell,
So let’s collect some C-4.
Although violence is wrong, it is time for the end.
It’s time we concluded the war.

We’ve gone through our ups and our downs,
With our laughs less abundant than frowns.
But you always will be important to me.
We’re standing on Alex’s grave.

Yes, you always will be important to me.
We’re standing on Alex’s grave.

The Minstrel of Cranberry Lane

The Island He Ruled (The Village of Brambleshire Wood, George and Will Millar)

"At some point in your life, James, probably when you were young and miserable and vulnerable. he came to you, he manipulated you, pulled your strings like you were a puppet. And as a result, choices you thought were made, were never really choices at all. He was pushing you, James. Pushing you.. to the Island."- Smokey, The Substitute

Jacob and Smokey have very different perspectives on their ongoing battle. Here's Smokey addressing Sawyer in the cliffside cave, to the tune of the Irish Rovers' The Village of Brambleshire Wood.

The Island He Ruled

Written here on this wall are the numbers and names
Of the people he brought to the Island he ruled.
I’ve freed us at last from his tedious games
And his endless insistence on preserving the light.

Goodbye to his silly white stone!
See the names of the chumps who have died?
He carelessly crossed out the names and the numbers
Of people he brought to the Island he ruled.

Goodbye to his games and his silly white stone
And the names in this cave on the Island he ruled!

You’ll notice, I think, not all of the names here
Are split and obscured with a chalk line of white.
They're potential replacements who somehow aren't dead,
Who've survived their ordeal on the Island he ruled.

There’s Shephard and Reyes and Kwon,
And Jarrah, and I think both of us recall John.
His time here is through, so I’ll cross him out too,
Just a pawn Jacob brought to the Island he ruled.

Goodbye to his games and his silly white stone
And the names in this cave on the Island he ruled!

Now you’re number 15. Don’t look so astonished.
Yes, you met Jacob a long time ago.
He gave you a push, James, and look where it led you.
It brought you, like the rest, to the Island he ruled.

Since he’s dead, three choices are yours:
Do nothing, and stay on these infernal shores;
Take on the position of pointless protector;
Or you join me, and we leave the Island he ruled.

Goodbye to his games and his silly white stone
And the names in this cave on the Island he ruled!

The Village of Brambleshire Wood

The Guardian (Penny Whistle Peddler, George and Will Millar)

Here's an ode to Jacob taking Across the Sea into account, to the tune of the Irish Rovers' Penny Whistle Peddler.

The Guardian

I hope you meet the guardian chosen to protect the light,
A sage and ancient man who prefers to dress in white.
Set on disproving his brother’s fatalistic view,
He’ll bless you with his touch if he believes in you.

In a distant, distant land across the sea,
The guardian took on his role, but sadly and reluctantly.
He had given in to violence, hurt his brother in his wrath,
Shown again that people always pick the evil path.

I hope you meet the guardian chosen to protect the light,
A sage and ancient man who prefers to dress in white.
Set on disproving his brother’s fatalistic view,
He’ll bless you with his touch if he believes in you.

But goodness was his goal, for himself and all.
He slowly gained wisdom as ships began to heed his call.
When he met Ricardo, also steeped in penitence,
Jacob saw that intervening made a lot of sense.

I hope you meet the guardian chosen to protect the light,
A sage and ancient man who prefers to dress in white.
Set on disproving his brother’s fatalistic view,
He’ll bless you with his touch if he believes in you.

So lately, Jacob wanders within the world at large.
He seeks the flawed but virtuous, entrusting each one with a charge.
As he thinks about his brother, the one he wronged so viciously,
He wonders, “If I win, will it set him free?”

I hope you meet the guardian chosen to protect the light,
A sage and ancient man who prefers to dress in white.
Set on disproving his brother’s fatalistic view,
He’ll bless you with his touch if he believes in you.

Penny Whistle Peddler

Have a Rock (At the Hop, Arthur Singer / John Medora / David White)

Jacob: I see you got my present.
Smokey: Don't gloat, Jacob. It doesn't become you.
- Ab Aeterno

Here's a little ditty about Jacob giving Smokey the white rock at the end of Ab Aeterno, to the tune of Danny and the Juniors' At the Hop.

Have a Rock

Jacob: Have a white rock.  Have a white rock.
Have a white rock.  Have a white rock.
Have a rock.

Well, I am overcome with glee now
Since Ricardo is with me now.
Have a rock.
See the bright alabaster
And recall who is the master.
Have a rock.
With a new adviser,
Those I bring will be wiser.
Have a rock.

Do you like your rock?
Do you like your rock?
Do you like your rock?
Smokey: Stop gloating!
Jacob: Do you like your rock?
Tell me, do you like your rock?

Smokey: Well, now you got yourself a steward.
What a happy day for you!
I got a rock.
Since he helped you win this wager,
Alpert doesn’t have to age.
I got a rock.
Now he never will die.
In the meantime,
I got a rock.

And so...
Do I like my rock?
Do I like my rock?
Do I like my rock?
Jacob: Well, do you?
Smokey: Do I like my rock?
Let’s see, do I like my rock?
Jacob: Well?
Smokey: No!

Jacob: Well, I am overcome with glee now
Since Ricardo is with me now.
Have a rock.
See the bright alabaster
And recall who is the master.
Have a rock.
With a new adviser,
Those I bring will be wiser.
Have a rock.

Smokey: Well, you got yourself a steward.
What a happy day for you!
I got a rock.
Since he helped you win this wager,
Alpert doesn’t have to age.
I got a rock.
Now he never will die,
And meanwhile,
I got a rock.

And so...
Do I like my rock?
Do I like my rock?
Jacob: Well, do you?
Smokey: Do I like my rock?
Jacob: Well, do you?
Smokey: Do I like my rock?
Let’s see, do I like my rock?

Stupid white rock.  Stupid white rock.
Stupid white rock.  Stupid white rock.
Stupid rock!

My Freedom (Take It to the Limit, Don Henley / Glenn Frey / Randy Meisner)

Smokey: I want to leave. Just let me leave, Jacob. Jacob: As long as I'm alive, you're not going anywhere.
Smokey: Well then, now you know why I want to kill you. - Ab Aeterno

Smokey has one simple request for Jacob, but Jacob is not budging. Here's the two of them to the tune of the Eagles' Take It to the Limit.

My Freedom

Smokey: All alone at the end of an era.
No one left here with me except you.
I was thinking that you might have considered
What I long to do.
You know I’ve been stuck here forever.
Jacob: I don’t have to tell you why.
Smokey: Humans never will change.
Jacob: Always been worth a try.
Smokey: Well, you really must hate me.
I implore and you ignore me.
I abhor this old exchange.

I wanna say goodbye, friend.
Is that such a crime?
But Jacob, you begin it one more time.

Do you count all the lives you have wasted?
Will you waste all your life counting more?
In an eon, will I have to meet you
Again on the shore?
I’m only looking for my freedom.
Jacob: You’re not going anywhere.
Smokey: Don’t you gloat with that wine.
Jacob: No? ‘Cause I’m glad to share...
Smokey: Well, no matter what, I’m leaving.
If I have to kill, you know I will
Until escape is mine.

I wanna say goodbye, friend.
Is that such a crime?
But Jacob, you begin it one more time.
Jacob, you begin it
Jacob, you begin it
Jacob, you begin it one more time.

Jacob: Face it, I begin it
(Smokey: Please)
Jacob: Face it, I begin it
(Smokey: Let me go!)
Jacob: Face it, I begin it one more time.

Jacob: Face it, I begin it
(Smokey: Please)
Jacob: Face it, I begin it
(Smokey: Free me!)
Jacob: Face it, I begin it one more time.

Smokey: Jacob, you begin it
Jacob, you begin it
Jacob, you begin it one more time.

Jacob: Face it, I begin it
(Smokey: Please)
Jacob: Face it, I begin it
(Smokey: Free me!)
Jacob: Face it, I begin it one more time.

Smokey: Jacob, you begin it
(Jacob: No!)
Smokey: Jacob, you begin it
(Jacob: No!)
Smokey: Jacob, you begin it one more time.

(fadeout)

Take It to the Limit

Still Think You're Dead? (A Hard Day's Night, John Lennon / Paul McCartney)

"Still think you're dead?"
- Jacob, Ab Aeterno

When Jacob first met Richard, poor Ricardo was in an awful state. It took a dramatic demonstration to convince the future Ageless Other that he was, in fact, still alive. Here's Jacob, to the tune of the Beatles' A Hard Day's Night.

Still Think You’re Dead?

You really think you’re dead
And you are in the afterlife?
You really think you’re dead
And you were talking to your wife?

What you’ve been told is a lie.
I know you don’t wanna die,
So do you still think you’re dead?

I’m gonna drag you down
And make you flounder under a wave.
Well, it looks like you’re afraid to drown;
That’s how the living would behave.

If you don't answer me, then
I’m gonna dunk you again,
So do you still think you’re dead?

Talk some sense. Never give in to despair.
Talk some sense. Look at you gasping for air, air!

So you really think you’re dead
And you are in the afterlife?
You really think you’re dead
And you were talking to your wife?

What you’ve been told is a lie.
I know you don’t wanna die,
So do you still think you’re dead?

If you don't answer me, then
I’m gonna dunk you again,
So do you still think you’re dead?

Talk some sense. Never give in to despair.
Talk some sense. Look at you gasping for air, air!

So you really think you’re dead
And you are in the afterlife?
You really think you’re dead
And you were talking to your wife?

What you’ve been told is a lie.
I know you don’t wanna die,
So do you still think you’re dead?
So do you still think you’re dead?
So do you think you’re dead?

Jughead (Whispering Jesse, John Denver)

Richard: How do I know you weren't sent here on some suicide mission? That I'll take you out to the bomb, and you'll just detonate it?
Daniel: Because... I'm in love with the woman sitting next to me. And I would never... I would never do anything to hurt her.
- Jughead

After Ab Aeterno, that scene in Jughead in which Daniel's love for Charlotte wins Richard over seems even more meaningful. At the time, I took it as a mark in Richard's favor, that he's noble enough to recognize the value of true love, but it goes deeper than that. Like Daniel, he has loved deeply, so he empathizes, and I think he senses Daniel's sincerity. Daniel, who I have come to think of as "the little prince" referred to in the episode that followed and who never has seemed more authoritative than in this brief stay in 1954. Here's a recreation of their conversation to the tune of John Denver's Whispering Jesse.

Jughead

Richard: So you are the leader, and I hear from Ellie
You don’t want to tell me where your comrades have gone.
Daniel: And why would I do that? You just want to kill them.
Richard: We didn’t start this, friend. The battle lines have been drawn.
Your people came calling with evil intentions.
Did Ellie here mention that they fired first?
Daniel: We weren’t with those soldiers. We’re on a mission.
Let me disarm that bomb before it can burst.

I think the device is in need of new casing,
Which I am basing on these burns on this man.
If you send me over there, I know I can fix it.
Richard: I wish I could trust you; don’t know how I can.
I ought to fear you because you might be here to
Detonate Jughead and blow us away.
Daniel: I love this woman who’s sitting beside me.
I never would hurt her. Believe what I say.

Richard: Detonate Jughead?
You won’t, you’ve convinced me.
Your manner is princely.
You’re guided by love.

Whispering Jesse

I Am With You (All My Loving, Paul McCartney)

"My love. We are already together."
- Isabella, Ab Aeterno


I loved the tender moment in Ab Aeterno between Isabella and Richard, facilitated by Hurley. Here's Isabella, to the tune of the Beatles' All My Loving.

I Am With You

Close your eyes now, Ricardo.
I know this is hard, so
It’s best if you hear and don’t see.
It was my time to leave,
And you don’t need to grieve,
For Ricardo, you’ll always have me.

Let this man be our buffer.
You don’t have to suffer.
I hope that you won’t disagree.
It was my time to leave,
And you don’t need to grieve,
For Ricardo, you’ll always have me.

I am with you. I was with you then.
I am with you. Take my cross again.

Close your eyes now, Ricardo.
I know this is hard, so
It’s best if you hear and don’t see.
It was my time to leave,
And you don’t need to grieve,
For Ricardo, you’ll always have me.

I am with you. I was with you then.
I am with you. Take my cross again.
I am with you. I am here with you.
I am with you. Take my cross again.

Cork in the Wine (Bottle of Wine, Tom Paxton)

"Think of this wine as what you keep calling Hell. There's many other names for it too: malevolence, evil, darkness. And here it is, swirling around in the bottle, unable to get out because if it did, it would spread. The cork is this Island, and it's the only thing keeping the darkness where it belongs."
- Jacob, Ab Aeterno

Jacob provided an intriguing metaphor for the relationship between him, the Island and Smokey in Ab Aeterno. Here I have him ruminate to Richard about the wine bottle to the tune of the Irish Rovers' Bottle of Wine.

Cork in the Wine

Cork in the wine helps to confine,
Helps to keep the evil from spreading.
If he should go, surely he’ll sow
Doom and despair where he’s heading.

This thing you call Hell, I know it well.
Yes, it’s a problem of mine.
How I have strained to keep darkness contained!
I must keep the cork in the wine.

Cork in the wine helps to confine,
Helps to keep the evil from spreading.
If he should go, surely he’ll sow
Doom and despair where he’s heading.

You come and you fight. You will never choose right.
That’s how he defines humankind.
It’s taking so long, but I will prove him wrong
While I keep the cork in the wine.

Cork in the wine helps to confine,
Helps to keep the evil from spreading.
If he should go, surely he’ll sow
Doom and despair where he’s heading. (2x)

Long as I’m here, my objective is clear.
It’s drudgery, yes, but that’s fine.
Though it’s been rough, I am patient enough,
So I’ll keep the cork in the wine.

Cork in the wine helps to confine,
Helps to keep the evil from spreading.
If he should go, surely he’ll sow
Doom and despair where he’s heading. (2x)

Bottle of Wine

Richard's Penance (Casey's Last Ride, Kris Kristofferson)

"We'll always be together."
- Isabella, Ab Aeterno

Richard: Can you absolve me of my sins so I don't go to Hell?
Jacob: I can't do that either.
Richard: I never want to die. I want to live forever.
Jacob: Now that... I can do.
- Ab Aeterno

Ab Aeterno gave us a whole lot of background on Richard, a fundamentally decent man who accidentally killed a man in the heat of extreme agitation, much like Desmond did with Kelvin. (And y'know, maybe I can go ahead and blame Jacob for that bus accident; he seems especially good at orchestrating crashes for the purposes of bringing people to the Island...) We saw his profound love for his wife and his deep desire for absolution. Scarred by a corrupt priest's statement that he was going to Hell unless he could perform sufficient penance, which would take a long time indeed, he welcomed Jacob's offer of a job that would allow him to do a lot of good. Here's a reflection on his story to the tune of John Denver's Casey's Last Ride.

Richard’s Penance

Richard was a humble man who labored with a lofty plan
Of going with the wife he loved to seek another world.
Stumbling to the table of the doctor who seemed able to
Repair her broken body, Richard’s desperation swirled.
His hands were built for farming, and he had no thought of harming
When he left his little cottage and rode out into the rain.
But Richard made an error at the apex of his terror,
And he heard his love’s last words as he was dragged away in chains.

“Here,” she said. “Take along my only worldly treasure.
Go,” she said, “mindful of the promise that you hold.
Please,” she said, “know that we will always be together.
Yes,” she said, “even if my very life goes cold.”

Richard swapped a prison cell for passage on a ship to Hell,
Or that’s how he perceived it when the vessel came aground.
There he met a Man in Black who told him that he must attack
The Devil; then an angry whack from Jacob turned him ‘round.
That’s when Jacob mentioned his disdain for intervention
With the pawns who earned detention on the Island he controlled.
But his rival’s reach was greater, so perhaps a mediator
Was a fitting compromise who could advise his flustered fold.

“So,” he said, “what will you be paid for this endeavor?
No,” he said, “I cannot absolve your sins for you.
Still,” he said, “you insist you want to live forever.
Now,” he said, “that is something I‘ll be glad to do.”

“Here,” she said. “Take along my only worldly treasure.
Go,” she said, “mindful of the promise that you hold.
Please,” she said, “know that we will always be together.
Yes,” she said, “even if my very life goes cold.
Yes,” she said, “even if my very life goes cold.”

“It’s All Meaningless If I Have to Force Them to Do Anything. Why Should I Have to Step In?” “If You Don’t, He Will!”

I went into Ab Aeterno expecting an episode as mythologically dense as Dr. Linus was emotionally rich. Though questions still abound, I think we got that. We needed the blip of Recon in between these two episodes; otherwise it would’ve been a one-two punch so powerful that the next episode probably would have felt like a total letdown. Then again, maybe each subsequent episode is going to be even better than the last. That’s a tall order, but I wouldn’t put it past LOST to pull it off...

So we finally got our background on Richard. I kinda figured that we might get a scene of him landing on the Island, then meeting Jacob, then in a series of later eras. But it seemed like too much ground to cover. I see now we really didn’t need to witness those later years. We’ve seen enough already to get a feel for what he did. The important thing was the beginning of his journey.

Boy, there was a whole lot of Spanish in this episode. Nothing but subtitles for at least half the dialogue. Just another thing giving Richard’s flashback an air of separateness. Richard is very special indeed. And boy, has he mastered the English language. Not a trace of an accent left, even in the 1950s. I suppose that 80-some years is enough time to achieve perfect mastery. Did Jacob give him a tutorial, or was Richard just left to improve his speaking skills on his own? He did a fine job. Did Nestor Carbonell grow up speaking Spanish, I wonder? What about Jorge Garcia? Pretty weird to hear both of them spouting it so fluently. Especially Hurley. How convenient that Isabella just happened to speak the same foreign language he did. Bear of little brain that he is, I wouldn’t have figured him for being bilingual, but I suppose his mom spoke Spanish around the house, and his dad before he took off.

I feel like Nestor deserves an Emmy nod for this episode, but the nod that would feel most appropriate is Guest Star, which he most assuredly isn’t. Still, he totally owned this episode, appearing in almost every scene and demonstrating that he’s right up there with Emerson, O’Quinn, Cusick and Davies. Can we just stack the Best Supporting category with nothing but actors from LOST? I was especially impressed with him in the scene on the Black Rock when Smokey showed up to liberate him. His voice so hoarse he could scarcely speak, his rambling panic, his confusion, his moral qualms... All a swirling kettle of Carbonell brilliance. And talk about emotion...

Here, just seven episodes away from the finale, LOST has given us its most epic love story yet. I’d never really given much thought to a Richard romance. He seemed so detached from all that. Once I began to trust him and to understand his unique role on the Island, I began to see him as an angelic figure, a supernatural entity removed from common human concerns. But that was only half-true. There are practical reasons for him not to have sought other romantic attachments. Because he would outlive them all. Because they might cloud his judgment. But those reasons really don’t matter because nothing would have compelled him to look for another mate. Richard had one true love, a love for the ages, a love to transcend death. A love that provoked profound empathy when Daniel pledged his love to Charlotte in Jughead, because of all the characters on LOST, none has exhibited the profound fortitude and faithfulness of Richard. I feel like I really need to read The Divine Comedy in its entirety, because that’s what Ab Aeterno reminded me of most.

Well, that and Job. You want resilience? Just look at his patient attempts to free himself from his chains. And reflect on the fact that in more than a century, he went along with Jacob, bound by his religious convictions, his desperation to perform sufficient penance to get himself back in God’s good graces. He told Ben to be patient, but Richard had to be much more patient still. In the backgammon board that is this show, Richard is the most Job-like of all the castaways. Yes, Richard has suffered. He is a murderer, but mostly by accident, in desperate circumstances much like Desmond’s when he killed Kelvin.

It's interesting that Richard and Eko are both reunited on the Island with a cross necklace that links each of them to the most important person in his life. Eko is told repeatedly by Smokey-Yemi that he must repent for his sins, but he refuses. Richard repents repeatedly and begs for absolution, and it is Isabella who finally seems to give it to him.

Can I just say how dreadful the authority figures in Richard’s time were? The horrible doctor who toyed with Richard’s hopes and refused to hand over the medicine for the price of all his worldly goods. The corrupt priest who, much like Smokey, used Richard’s beliefs against him. Who convinced him that it would take years, perhaps decades, to work off the debt incurred by his crime, hence compelling him to agree to signing onto the Black Rock. A potent metaphor, I think, for what happens to people who receive an offer from the Man in Black. It seems like a call to freedom, but they soon discover that what they’ve really done is sold themselves into bondage.

That scene just after the ship landed in the middle of the jungle was one of the most gruesome I have ever seen on the show. I had to avert my eyes. Yet another evil authority figure, slashing the life out of everyone he encountered. His reasoning called to mind Smokey from last week. “It’s kill or be killed. And I don’t wanna be killed.” Say it like that and it almost sounds excusable. Almost. Richard didn’t quite buy the logic, and neither should we.

Strange that Smokey was the one who first encountered Richard. The one who seemed to be kind and understanding. The one who told him almost exactly what Dogen told Sayid. Was that even the same knife? We saw several connections to past episodes here. “It’s nice to see you out of those chains.” So that’s why Richard reacted to that statement the way that he did. It’s not so much that he saw it in Smokey’s eyes; he recognized the words and all the pieces fell into place. Though I daresay he’d smelled a rat for a while. There was the inside joke with the rock, and a new inside joke with the wine jug.

And while Smokey came across as very congenial in his interaction with Richard, it’s seeming more likely that he is evil rather than the reasonable flip side of a coin. LOST is so obsessed with dichotomies that I couldn’t help thinking the relationship between Jacob and Smokey might be like the relationship between faith and reason, free will and fate, mercy and judgment... That sort of thing. In which case Smokey has his merits. But if he’s just evil and the Island is a sort of Pandora’s Box... Well, I guess I’m okay with that. As long as he stays contained. “The infection will spread,” Dogen warned. Sounds pretty much like Jacob and the wine bottle. Gotta keep a cork in it!

Jacob. There’s more to say about Richard, for whom my heart is currently exploding with love, but let’s side-track to our good buddy Jacob for a moment. Before the episode, LOST released two photos from the episode. One was a close-up of Smokey, the other a shot of Jacob pacing the beach, knife in hand, looking agitated. I wasn’t much surprised to see that either of them would be in this episode. Massive mythology download? Gotta see Mr. Black and White themselves. I was surprised to see Jacob in such a state. Just the picture was enough to show me that this was a side of him we hadn’t seen before. No sublime serenity here. Jacob looked Ticked Off.

But even with that warning, his behavior surprised me. He just beat the tar out of Richard, whaling on him like a common castaway (I’m pointing at you, Sawyer and Jack). He doesn’t seem to have done much damage. But he was livid. Was this the first time Smokey tried to have someone kill him? Given their later conversation, that seems likely. So I would venture to say he was upset about that, and exasperated because perhaps he knew that everybody on the Black Rock had already killed each other, and maybe he was really cheesed off that the ship he summoned all but destroyed his statue.

The statue, incidentally, that Richard’s shipmate described as the devil. There was a lot of talk of Hell and devils in this episode, and it was all very unsettling. But again, felt very much like The Inferno. I did worry fleetingly that Jacob might actually turn out to be the devil as Smokey said. But I kept the faith. I had to. Still... It took some time before I felt we got our old Jacob back. This is the man, after all, who stood there and barely flinched when Ben came to kill him. Then again, we know that before this point, he had his calm morning meeting with Smokey. So maybe Jacob hasn’t changed that much. Hard to say.

I found myself irritated with him, much like I felt toward Dumbledore in The Prince’s Tale. He had good reason to be very harsh with Snape, and Jacob had good reason to be violent with Richard. And his dunking of Richard felt like a baptism, certainly an awakening for him, possibly tied in with the slave Namaan, referenced in the fourth chapter of Luke, which Richard was reading in prison. I love that Richard is a devout Christian, and that now the totem he carries to remind him of his devotion to his cause is a necklace featuring a cross.

While in his first scene, Jacob seemed explosive, as well as a bit creepy in those close-ups, he came across as rather snide in the beginning of the second scene. He made it clear that Richard was not invited to join him inside the statue. Though he did give him some of his wine, a gesture of hospitality beyond the likes of Charles Widmore. And something changed when Richard asked if he was the devil. It seemed to snap Jacob back to reality, to center him and remind him what he was really trying to accomplish.

What I found really interesting was the fact that it was Richard who, whether he meant to or not, suggested the idea of an intermediary. You could see the wheels in Jacob’s head turning. “Hey... He’s got a pretty good point.” Smokey has an unfair advantage. Up until this point, Jacob’s experiment has been a colossal failure because everyone who comes to the Island is influenced only by the force of evil. Jacob is all about free will, so he doesn’t want to tell anybody what to do, but adding Richard as a go-between is a turning point. From that point on, there are survivors. Maybe most of the people who come to the Island wind up dead, maybe most wind up corrupted, but not all do. Richard really makes a difference.

Seems weird to me that the ship smashed the statue, but it's symbolically significant. There is no longer such a huge gulf between Jacob and those he brings to the Island. He's much closer thanks to Richard. And this seems to have affected his behavior somewhat, made him a little more willing to step into human affairs. And maybe was a calming influence. Was Angry Jacob an anomaly, or was he like that a lot before the tide started to turn?

Jacob is not God. He can’t absolve sins. He evidently can’t raise the dead; does that mean a John Locke resurrection isn’t coming? Somehow, though, he is able to bestow the gift of agelessness on an unsuspecting Richard, who seemed to me to be just expressing his fervent fear of Hell, not actually suggesting that Jacob see to it that he never age. Be careful what you wish for... And of course, this was the most convenient reward Jacob could possibly give him, since it meant that Richard could serve as his intermediary for decades to come. Richard is closing in on two centuries now, with about 140 years spent in Jacob’s service. When does it end?

Once again there was some seriously great music in this episode, particularly in the gorgeous Richard-riding-his-horse-in-the-rain segments, anytime he was with Isabella and anytime Jacob was on the screen. Beautifully shot too. I was especially taken with the use of light in the prison scenes and with the expanses of greenery over which both Smokeys presided.

While this episode was touted as a Richard flashback - and that’s certainly primarily what it was, and thankfully in the Flashes Before Your Eyes format - there were two other flashbacks as well. We saw Ilana consulting which Jacob - and being visibly upset about it. I suppose this was because she knew his request was an indication that he would be dying soon. I thought the funniest moment in an otherwise extremely solemn episode came when Ilana turned to him and asked him what they should do next and then, after a very pregnant pause, he laughed in her face. He reminded me in that moment of Leonard in Big Bang Theory, with his giggle made shrill with nervous incredulity. It also reminded me of Hurley's reaction when Ben said he was following him in Cabin Fever. That crazed laugh was just such an odd outburst from him, but really not that strange considering the state we last saw him in. Richard is having an extraordinarily bad week.

The other flashback, of course, was Smokey’s. I really hope that both Ilana and Smokey get flashback episodes of their own, though with only seven episodes to go, that doesn’t seem too likely. The scene between Jacob and Smokey was similar to what we saw in The Incident, only this time it was Jacob who joined Smokey instead of the other way around. Are we to assume that’s the same white rock that he tossed out of the cave in The Substitute? Also, because we know that some of what Smokey tells us is true, particularly about his being the Smoke Monster, I can’t help wondering about the rest of it. Jacob snatching Smokey’s body sounds a bit like Jacob snatching Esau’s birthright, doesn’t it? And Esau probably would’ve had reason to call his mother crazy too. I’m trying to think if there’s anything Jacob has said that we know isn’t true. He’s big on withholding information, but thus far, I’m not inclined to see him as a liar. But there’s certainly more to the story than he’s letting on. In his scene with Smokey, I really thought that he might drop his actual name, especially right at the end there. But no. We’re still left to wonder. And again I ask, what name could possibly be worth all this dodging?

Another thing I really wanted to see? Hurley giving Richard a hug. Yeah, they just met, and Richard hasn’t exactly been all that warm to him. But if anybody ever needed a hug, it’s Richard, and if anybody was ever equipped to give one, it’s Hurley. I really thought it might happen immediately after he told Richard that Isabella was gone. Back in the beginning, I initially thought that Hurley was speaking Latin, and I thought, “Wow, that’s weird.” And like Jack, I initially assumed he was talking to Jacob. But I soon realized it was Spanish, which was a little less weird, considering his upbringing. Not long after Isabella died, I began to suspect that she was the one Hurley had been talking to, so when he showed up in the graveyard, I was rather expecting a scene out of Ghost Whisperer. And that’s exactly what we got, except that this was all for Richard’s benefit. Isabella didn’t need any helping. What a cathartic, romantic scene. And again, how much do I love Hurley? He was in take-charge mode again this week; he’s somebody who kinda seems to need direction, but when he’s given it, he really flies with it. And Jack is no match for his sense of purpose. I was so looking forward to a Richard and Hurley scene, and though we got a bit of one in Dr. Linus, this was much more substantial. And now they share a pretty potent bond.

Though Richard’s conviction that he was in Hell was spooky, I never quite believed it, nor did I believe that Isabella was in Hell with him. It just didn’t make sense, and after what we saw with Alex in Dead Is Dead, I could definitely see Smokey imitating Isabella in the hope of manipulating Richard. Though that was one fancy bit of morphing he did when we seemed to hear her and Smokey at the same time. Also, I guess this settles the question of whether or not Smokey can imitate people who died off the Island. Jacob’s inquiry to Richard about meeting a man in black out in the jungle reminded me of Richard’s inquiry to Ben after Emily appeared to him on his birthday. I thought the timeline of when Ben first met Richard seemed off, maybe because, thanks to his Temple experience, he didn’t remember his first encounter. But I guess I was just basing it on Sayid’s description of “a 12-year-old Benjamin Linus”. According to Lostpedia, he was 16 at that time. Pretty scrawny for 15, but I guess I can buy it. Though Sterling Beaumon couldn’t have been older than 13 when he shot the episode.

We saw so little of Ben here. All he did was fill Jack in on Fake Locke and express his opinion that Richard didn’t know anything. The beginning of the episode played out a bit differently than I’d expected. I figured that Richard was going to gather everybody around and tell them his life’s story. Instead, he ran off into the jungle, and he very nearly joined Smokey after all these years. Wonder why he didn’t show up right away. I would assume that he heard him. But maybe he didn’t. In any event, I’m awfully glad that Smokey wasn’t the first on the scene. Back on the beach, meanwhile, I wonder what’s happening. Why didn’t we see Miles at all? I’m curious about the format future episodes will take. I assume it’ll at least mostly be sideways again, but maybe one or two won’t be. How far back do the differences go? Is it possible that in Sideways World, Isabella survives and she and Richard are able to make their way to the New World together, and we’ll either see some sort of historical marker or gravestone with their names or we’ll meet one of their descendants?

Next week’s episode is called The Package, and based on the brief preview, I’m going to assume it’s a Sun episode, or a Sun and Jin episode perhaps. Just as Smokey used Isabella to tempt Richard, he will use Jin to tempt Sun, and maybe Sun to tempt Jin at the same time. And that’s worrisome, since each is so desperate to return to the other. I wonder how Smokey manages to separate her from the pack? Does this mean that we’ll be getting both groups next week? Could the time for collision be nigh? That’s an intriguing concept, and it should make for a riveting episode.

But this week’s gonna be a tough act to follow. It was a strange one for sure; the whole thing felt a bit like the opening scene of The Incident, so epic and somber. Only much more harrowing. And gut-wrenching. There were precious few laughs to be had in this episode, and a few moments that were just plain gruesome. But there was abundant beauty and depth of emotion, a much-desired dose of mythology and a reason to love Richard every bit as much as Daniel and Desmond, and that’s really saying something. What a guy. Hey there, Ricardus... You’re all right.