The Home That She Denied Me (Octopus's Garden, Ringo Starr)

Man In Black: I have to go.
Mother: Why?
Man In Black: Because I don't belong here.
- Across the Sea

This is a sort of companion piece to This Island Is My Home in which the Man in Black is daydreaming about leaving the Island and trying to figure out how to convince Jacob to go with him.

The Home That She Denied Me 

I’d like to be across the sea

In the home that She denied me as a babe.
I'd watch my twin grow thicker skin

In the home that She denied me as a babe.

We’d see how wide the world could be;

Why doesn’t Jacob want to join me?

I’d like to be across the sea

In the home that She denied me as a babe.

Don’t be alarmed; I’d do no harm

On our journey to reclaim the home I crave.

I would create and innovate,

And our liberty would make my brother brave.

Independence would abound.

No Mother there to boss us ‘round!

I’d like to be across the sea

In the home that She denied me as a babe.

Should I shout that I want out?

Perhaps I should stomp and rant and rave.

(Would it help to rant and rave?)

Need a ploy to sway that Mama’s Boy

Trapped in that suffocating cave.

(What a stifling cave!)

Him and me, at last we would be free,

Basking in the life we never knew.

I’d like to be across the sea

In the home that She denied to us two.

In the home that She denied to us two.

In the home that She denied to us two…

Little Ben (Run For Your Life, John Lennon / Paul McCartney)

Little Ben: I really hate it here.  If I let you out... will you take me with you, to your people?

Sayid: Yes, Ben, I will.  That's why I'm here.
- He's Our You

I've been trying to find my way back into filking, and the other day, I heard the Beatles' Run For Your Life for the first time.  It got stuck so firmly in my head that it became my natural starting point.  Here's Sayid coaxing Little Ben into trusting him in season five; the words all seem soothing, but there's a sinister undertone as he has ulterior motives.  

Little Ben

Well, your father’s in your head, Little Ben.

He’s a hard and unfeeling man.

Ignore the things he said, Little Ben.

Now’s the time to take a stand.

You haven’t much of a life with this clan, Little Ben.

I’m the key to your plan, Little Ben.

Put your future in the hands

Of a friend, Little Ben.

Well, I admit, at first I wondered why

I ended up here to be confined.

But purpose now has filled my mind.

How could I have been so blind?

You haven’t much of a life with this clan, Little Ben.

I’m the key to your plan, Little Ben.

Put your future in the hands

Of a friend, Little Ben.

Will your father squirm,

Or will he write you off for dead?

You may never learn;

You’ll find a Hostile home instead.

You haven’t much of a life with this clan, Little Ben.

I’m the key to your plan, Little Ben.

Put your future in the hands

Of a friend, Little Ben.

Your father’s in your head, Little Ben,

He’s a hard and unfeeling man.

Ignore the things he said, Little Ben.

Now’s the time to take a stand.

You haven’t much of a life with this clan, Little Ben.

I’m the key to your plan, Little Ben.

Put your future in the hands

Of a friend, Little Ben.

Little Ben, Little Ben, Little Ben…

Farewell to You, My Brother (Farewell to Nova Scotia)

Jack: Desmond, you've done enough. You wanna do something? Go home and be with your wife and son.
Desmond: What about you, Jack?
Jack: I'll see you in another life, brother.
- The End

Farewell to Nova Scotia is one of the most achingly melancholy songs I have ever heard.  It came to mind again after a recent Facebook conversation with my friend Gail, and though I knew the song through the Irish Rovers, when I stumbled upon a live performance by Gordon Lightfoot from 1972, I was utterly mesmerized by the exquisitely elegiac quality of both his voice and face.  It then lodged itself firmly in my brain, and when I'm in filking mode, that means it's about to become my next victim.  I thought this moment was appropriately mournful, with just the right hint of beauty.

Farewell to You, My Brother

You doused the light, and I'm impressed.
You did your job; now it's time to flee.
We're almost at the end of our quest,
So go, and leave the rest to me.

Farewell to you, my brother.  Don't count the cost.
Seek the ones you love across the sea.
I may be far away, but our friendship won't be lost.
I await another meeting in eternity.

Believe me, Desmond, I understand.
You grieve to leave - to let me go.
But life never seems to work out the way we planned,
And it's better to accept what you can't control.

Farewell to you, my brother.  Don't count the cost.
Seek the ones you love across the sea.
I may be far away, but our friendship won't be lost.
I await another meeting in eternity.

A doctor's pledge is to first do no harm.
I won't survive; I have to stay.
So farewell, farewell.  I'll take you by the arm
And then Hurley's gonna raise you to the bright light of day.

Farewell to you, my brother.  Don't count the cost.
Seek the ones you love across the sea.
I may be far away, but our friendship won't be lost.
I await another meeting in eternity.

It took three years, but I passed Jacob's test.
I found my faith, and I am blessed.
When I met you, I'd failed so terribly,
But you helped me 'lift it up,' and now at last, I'm free.

Farewell to you, my brother.  Don't count the cost.
Seek the ones you love across the sea.
I may be far away, but our friendship won't be lost.
I await another meeting in eternity.

Farewell to you, my brother.  Don't count the cost.
Seek the ones you love across the sea.
I may be far away, but our friendship won't be lost.
I await another meeting in eternity.

Farewell to Nova Scotia

We're Staying With Jack (It's Not Over By Half, Joan Shelley)

Bernard: You said you'd never leave the Island, if you wanna go with Locke, I'll be right behind you.
Rose: I'm not going anywhere with that man.
- The Beginning of the End

I'm dipping my toes back into filking with Rose and Bernard, who might be my favorite couple on LOST but who have far too little time in the spotlight.  Joan Shelley's gently transcendent vocals and the sense of serene hope that pervades her beautiful ballad felt fitting for Rose's deeply spiritual nature and the way she acknowledges the darkness without letting it overtake her.

We're Staying With Jack

You took your shot, a guard with a gun.
The Others were scattered with your ammo.
And you've forgotten my mantra for you, hon.
You're a dentist, and you are not Rambo.

Oh, sweetie, why must you always do and not be?
For now I am healthy, and for now we are free.
Hurley's in pain, and he gave a good speech,
But if you ask me, he's made a big blunder.

Bernard, we're staying with Jack
'Cause the look in Locke's eyes makes me think he's a quack.
We follow him and we're on the wrong track.
No, we're not going; we're staying with Jack.

At Niagara Falls, with a timid grin,
You promised to love me through thick and through thin.
So although I had cancer, my heart sang a hymn
Thanking God that He got your attention.

Bernard, we're staying with Jack
'Cause the look in Locke's eyes makes me think he's a quack.
We follow him and we're on the wrong track.
No, we're not going; we're staying with Jack.

Here on this Island, I'm happy with you,
But rescue will bring us serenity, too.
Remission reversal may well ensue;
It won't matter, 'cause we'll be together.

Bernard, we're staying with Jack
'Cause the look in Locke's eyes makes me think he's a quack.
We follow him and we're on the wrong track.
No, we're not going; we're staying with Jack.

It's Not Over By Half

Hope (Be Still, Isaac Slade)

Rose: It's a fine line between denial and faith. It's much better on my side.
Charlie: Help me.
Rose: Baby, I'm not the one that can help you...
- Whatever the Case May Be

Once I finally started writing LOST songs again, Dad started sending me song suggestions, and this is one of those.  I was especially touched when I read the story behind this gentle song of encouragement; the songwriter's brother called him in the middle of the night, unable to sleep, and after their conversation, this song came to him organically as a response.

It made me think of Rose's efforts to motivate and comfort Charlie in Whatever the Case May Be, some of my favorite scenes in the series.  While she is there for him, she points him in the direction of a higher help he seems to have given up on...

Hope

I still have hope, and you can, too.

I still have hope Bernard is near.

I still have hope, and you can, too.

Things aren’t that bad, you know.

A monster came upon you.

Though Claire is gone, you’re not to blame.

I still have hope, and you can, too.

Just call upon God’s name.

You almost wish that you were dead.

You’ve never felt this low.

But don’t give in to gloom and dread.

Things aren’t that bad, you know.

This isn’t the finale.

Though the story may get darker still,

The Lord of Light will help you see.

He will, He will, He will.

Reach out for help, and faith will grow.

Before your life began,

The Lord was preparing to guide you.

He always has a plan.

I still have hope, and you can, too.

He always has a plan.

Bad Month (Bad Day, Daniel Powter)

"You're havin' a bad month." - John to Walt, Pilot, Part 2

"Vincent - I tethered him to a tree just over there. I know that Walt lost his mom. I thought that you should be the one to bring his dog back to him."- John to Michael, Tabula Rasa

For some reason, Michael and Walt are two characters I've neglected somewhat, but I love John's interaction with Walt in the pilot and his facilitation of his reunion with Vincent in Tabula Rasa.  I would imagine that, given how poorly he was parented, he is especially hopeful that Michael will give Walt the kind of love and guidance he himself so sorely needed.

Bad Month

Michael, I know what he’s missing the most,

And would you believe that I found what he lost?

I tethered his Lab up to that tree,

But credit for that won’t go to me.

It should be you who brings his dog.

You feel like your boy’s just a kid you don’t know;

As long as you try, you will learn as you go.

He needs a good dad, and you’ll do fine.

You’ll manage to make up for lost time.

It should be you who brings his dog

‘Cause he’s had a bad month.  He’s gotta feel down,

But he can stay strong since he has you around.

As long as he knows his dad’s on his side,

Your wandering child’s gonna take it in stride.

He’s had a bad month.  He watched his mom die.

Los Angeles bound, he was thrown from the sky.

He’s had a bad month.  He’s had a bad month.

Before he wakes up, just slip away.

Get Vincent and brighten up his day.

It should be you who brings his dog.

He’s had a bad month.  He’s gotta feel down,

But he can stay strong since he has you around.

As long as he knows his dad’s on his side,

Your wandering child’s gonna take it in stride.

He’s had a bad month.  He watched his mom die.

Los Angeles bound, he was thrown from the sky.

He’s had a bad month.  Oh, what a lousy month!

Sadly, a son can struggle and sink

If a parent he trusts is gone.

Before you make it back to L.A.,

He ought to know that you’re the one

He can count on.  Yeah, yeah, yeah, yeah.

So hurry and go, and I swear I won’t boast.

Just you and I

Will know how you found what was hopelessly lost.

‘Cause he’s had a bad month.  He’s gotta feel down,

But he can stay strong since he has you around.

As long as he knows his dad’s on his side,

Your wandering child’s gonna take it in stride.

He’s had a bad month.  He watched his mom die.

He met you and thought, “Who’s this guy?”

He’s had a bad month.  He had a bad month.

Had a bad month.  Had a bad month.  Had a bad month…

Runaway Annie (Mail Order Annie, Harry Chapin)

"My wife died 8 months ago Wednesday. She left me with too many chores and a hell of a mortgage. If you help me with the first one, I'll give you a fair wage and a place to stay." - Ray, Tabula Rasa

We just rewatched Tabula Rasa, and I realized I don't have a single filksong associated with that episode.  That definitely needs amending, and when I decided to start with Kate's backstory, Harry Chapin's gently wistful song popped into my head...

Runaway Annie

My first thought was to turn my gun on you,

A winsome vagabond asleep in my pen.

But seems to me you’re on the run from somethin’, yeah, yeah.

I could use a farmhand; you could use a friend.

Runaway Annie, aren’t you tired of walkin’?

The chores are a strain since I lost my wife.

Runaway Annie, maybe fate is knockin’.

I think we'll help each other here.

We are entitled to start again in life.

You know, it is a pity you’ve evaded me

And kept your weekly wage in that tin can.

Don’t tell me you can’t wait until the mornin’, no, no.

I’ll drive you to the station like a decent, honest man.

Runaway Annie, aren’t you tired of walkin’?

I understand pain since I lost my wife.

Runaway Annie, maybe fate is knockin’.

I think that I could help you here.

You are entitled to start again in life.

I know it’s not my business what you’re runnin’ from;

You store your stash of secrets like the money in that wad.

But Annie, after three long months of labor,

Not saying a goodbye would be odd.

You know about my dirty plan; we’re not headed for the train.

My mortgage isn’t pretty; I can’t manage it alone.

And I hope you know how much I hate betrayin’ you,

But you run away, Annie, and I will lose my home.

Runaway Annie, aren’t you tired of walkin’?

The bills are insane since I lost my wife.

Runaway Annie, maybe fate is knockin’.

I think that you could help me here.

I am entitled to start again in life.

Counting to Five (Stayin' Alive, Barry, Robin and Maurice Gibb)

Jack: Well, fear's sort of an odd thing. When I was in residency, my first solo procedure was a spinal surgery on a 16-year-old kid, a girl. And at the end, after 13 hours, I was closing her up and I, I accidentally ripped her dural sac. Shredded the base of the spine where all the nerves come together, membrane as thin as tissue. And so it ripped open. And the nerves just spilled out of her like angel hair pasta, spinal fluid flowing out of her and I … And the terror was just so … crazy. So real. And I knew I had to deal with it. So I just made a choice. I'd let the fear in, let it take over, let it do its thing, but only for five seconds, that's all I was going to give it. So I started to count: One, two, three, four, five. Then it was gone. I went back to work, sewed her up and she was fine.
Kate: If that had been me, I think I would have run for the door.
Jack: No, I don't think that's true. You're not running now.
- Pilot, Part 1

I was rewatching the first episode of LOST with will, and I was struck by the fact that as iconic as this scene is, I never devoted a song to it.  I decided I needed to do something about that, and this, my first LOST song in four and a half years, is the result.  Hopefully it will be the first in a new filking srreak!

Counting to Five

Jack: Well, I can tell by the way you stand and gawk

That you’re traumatized and still in shock.

Though you see my skin is torn,

You are treating my request with scorn.

Despite the drapes that you once made,

To stitch me up makes you afraid.

But don’t say “can’t;” I know you can.

I hope you’ll help a wounded man.

What can help prepare you when situations scare you?

Try counting to five.  Counting to five.

Let the panic fill you but never let it kill you.

Just try counting to five.  Counting to five.

One, two, three, four, counting to five.  Counting to five.

One, two, three, four.  Counting to five…

Well, now, fear is odd.  I’ll tell you why

I come across as such a fearless guy.

As a spinal surgeon, I refuse

To let small mistakes mean patients lose.

I nicked a poor girl’s dural sac;

I didn’t beat the terror back.

Once I used this trick of mine,

I sewed her up and she was fine.

What can help prepare you when situations scare you?

Try counting to five.  Counting to five.

Let the panic fill you but never let it kill you.

Just try counting to five.  Counting to five.

One, two, three, four, counting to five.  Counting to five.

One, two, three, four.  Counting to five…

Kate: If I had been there,

I would have bolted, just bolted for the door.

Jack: No, I don’t think so.  Your kindness moves you more.

Counting to five…

Jack: Well, I could tell by the way you stood and gawked

You were traumatized and still in shock.

Though you saw my skin was torn,

You were treating my request with scorn.

Despite the drapes that you once made,

To stitch me up made you afraid.

But no more “can’t;” you proved you can.

You bravely helped a wounded man.

What can help prepare you when situations scare you?

Try counting to five.  Counting to five.

Let the panic fill you but never let it kill you.

Just try counting to five.  Counting to five.

One, two, three, four, counting to five.  Counting to five.

One, two, three, four.  Counting to five…

Kate: If I had been there,

I would have bolted, just bolted for the door.

Jack: No, I don’t think so.  Your kindness moves you more.

Kate: I’m counting to five.

Kate: If I had been there,

I would have bolted, just bolted for the door.

Jack: No, I don’t think so.  Your kindness moves you more.

Kate: I’m counting to five…

Jack: Fear can’t defeat you.  Your kindness moves you more.

Please Come Home With Me (Feels Like Home, Randy Newman)

Claire: Look at me! This Island's made me crazy, I - I don't want Aaron to see me like this. I don't even know how to be a mother anymore.
Kate: Listen to me, none of us do. Not at first. But you're not alone. Let me help you. Come on, let's go.
- The End

Kate is more sympathetic to Claire than Sawyer is in season six.  Here's Kate in the finale to the tune of Feels Like Home, one of my dad's favorite songs at the moment.

Please Come Home With Me

Someone you despise tried to make you lose yourself,
Tried to make you lose yourself, but he’s gone.
Yes, Claire, you have a choice.  Just forget the past.
You can leave at last and reclaim your life.

I can tell how lonely your life has been.
To feel strong, you cling to that gun,
But it won’t bring what you’ve wanted since he first led you wrong.
I’m here so you can raise your son.

So please come home with me.  Oh, please come home with me.
You feel like you’re much too messed up to be a mom,
But please come home with me.  Oh, please come home with me.
I promised to help you get back where you belong.

We’ve made mistakes.  Hey, you think I'm clean?
But we try, then fail, then do right.
You look a fright; you could use some Maybelline.
Still, I believe you’ve seen through the dark to the light.

Well, do you know how much this moment means to me?
You don’t need that cradle or that hutch.
Though I have been the mother you were meant to be,
Your little boy deserves your love for him so much.

So please come home with me.  Oh, please come home with me.
You feel like you’re much too messed up to be a mom,
But please come home with me.  Oh, please come home with me.
I promised to help you get back where you belong.
I promised to help you get back where you belong.

Claire's Insane (You're So Vain, Carly Simon)

"Sayid's a zombie and Claire's nuts. She gave up her ticket when she tried to kill Kate. And I ain't gonna let that happen again."
- Sawyer, The Last Recruit

The Claire of season six is quite a bit different from the Claire the castaways came to know and love.  Here, Sawyer tries to convince Hurley that she's not worth bringing along in their great escape, to the tune of Carly Simon's You're So Vain.  (The above quote is from a conversation with Jack, but I figure his conversation with Hurley would have been similar...)

Claire’s Insane

She showed up with her rifle
And stitched up Jin in her creepy hut.
But then he flinched as she axed that Other guy. 
She got ‘im right in the gut.
Well, it’s only smart to fear her now
‘Cause she’s a gnarly nut.
Lounged here with Locke for too long, and she lost it.
Clearly, she lost it.

Yeah,
Claire’s insane
And horribly in need of a hairbrush.
She’s insane, (She’s insane),
And bringin’ her along would just scare us,
Scare us, scare us...

Well, we knew her several years ago.
Back then, she was so naive.
Oh, but now we are stuck with a crazy Claire
With homicide up her sleeve.
Now, I know you’re really big on love.
You’re eager to believe
People can change, but I’m not gonna chance it.
Not gonna chance it.

No,
Claire’s insane.
She hangs around with skeletal babies.
She’s insane.  (She’s insane!)
I wonder if that thing gave her rabies,
Rabies, rabies, rabies!

Think she can change?  Well, I’m not gonna chance it.
Not gonna chance it.

No,
Claire’s insane.
Apparently she’s also Jack’s sister.
She’s insane. (She’s insane!)
I guess it’s lucky he never kissed her,
Kissed her, kissed her!

Did you hear she went after Kate with a knife?
Sayid, he didn’t step in.
He could not be bothered with a threatened friend’s life.
I’d say the Dark Side is fixin’ to win.
Well, I know we’re runnin’ out of time,
And Hugo, we don’t need
A chick who’s unhinged or a kid-killin’ zombie,
Kid-killin’ zombie.

No,
Claire’s insane.
Yeah, those two gave their tickets up early.
She’s insane.  (Insane!)
We can’t succeed with someone so squirrelly,
Squirrelly, squirrelly, squirrelly!

Claire’s insane
And horribly in need of a hairbrush.
Claire’s insane
And horribly in need of a hairbrush.
Claire’s insane...

You're So Vain

We Wonder Who His Ex Is (Deep in the Heart of Texas, June Hershey / Don Swander)

After Lighthouse revealed that Jack had a son, there was a lot of speculation as to who David's mother might be.  Here's a little ditty about that to the tune of the cowboy song Deep in the Heart of Texas.

We Wonder Who His Ex Is

Although we’re glad that Jack’s a dad,
We wonder who his ex is.
She left the kid with Jack and hid.
We wonder who his ex is.

So let’s debate.  Could it be Kate?
We wonder who his ex is.
Or Ana Lu’s an option too.
We wonder who his ex is.

Will Sarah be the mom we see?
We wonder who his ex is.
Or better yet is Juliet.
We wonder who his ex is.

We have the names of lots of dames.
We wonder who his ex is.
Why won’t the show just let us know?
We wonder who his ex is.

Who-oo-oo-oo-oo-oo?


Deep in the Heart of Texas

I've Got No Faith (I've Got No Strings, Leigh Harline / Ned Washington)

Jack: Don't. It's not real. Look, you want to push the button, you do it yourself.
Locke: If it's not real, then what are you doing here, Jack? Why did you come back? - Orientation

Here's a song involving John and Jack's argument down in the hatch at the end of Orientation, to the tune of Pinocchio's I've Got No Strings.  Jack finally gives in, but real faith doesn't come until much later... 


I’ve Got No Faith

Jack: I’ve got no faith in destiny.
I only trust what I can see.
You have faith, but luckily,
There is no faith in me.
   
Desmond was clearly cracked.
Nothing’s gonna happen, John.
This hatch would stay intact
Even if we all were gone.

John: You’ve got no faith?  Then tell me, Jack,
Why did you bother coming back?
Trust the film.  This job’s for two.
I know there’s faith in you.

Sayid: He has no faith, so let him be.
This argument is boring me.
Step aside, and I will do
What Jack refuses to.

Kate: You have no faith.  I’m with you there.
But this is giving me a scare.
Just in case the tape is true,
I’d push if I were you.

Jack: John, you’re a silly sheep.
Desmond didn’t have a clue.
John: Why won’t you take the leap? 
I believe, but I need you.

Alarm: BEEP! BEEP!  BEEP!  BEEP!

Jack: (pushes button) There’s still no faith in me!

This Daniel's Plan (Mr. Bojangles, Jerry Jeff Walker)

Daniel: Hey there. Are you Jack?
Jack: Yeah, I'm Jack. Who are you?
Daniel: I'm Daniel Faraday. I'm here to rescue you.
- Confirmed Dead

Daniel Faraday is just about as confusing to Jack as he is to Frank.  Here's Jack trying to figure Daniel out to the tune of the Nitty Gritty Dirt Band's Mr. Bojangles.

This Daniel’s Plan

I met a man named Daniel in the pouring rain,
Perplexed and wet
With shaggy hair, a skinny tie and shaky hands.
A friend or threat?
I wondered why, I wondered why
His eyes were darting around.

He landed in the jungle, and he knew my name:
“Are you Jack?”
I heard the words but barely dared to dream
We were heading back.
Back to our lives, back to our lives.
But we couldn’t go just yet.

I soon began to think that Daniel had us tricked.
He said so, too.
I got depressed when he confessed that he’d told a lie:
“I’m here to rescue you.”
But still he was kind, soft-spoken and kind,
And he seemed glad we were found.

Who is this Daniel?  Who is this Daniel?
What is this Daniel’s plan?

Now, I suppose what Daniel knows is far beyond
The normal scope.
I gotta thank that pilot Frank, ‘cause he tipped me off.
I’m not a dope,
So it hurts my pride, it hurts my pride
Thinkin’ that he’s too smart for me.

But Faraday’s gonna find a way to let us leave
Although he lied.
I don’t know what he’s here for, but I do believe
That he is on our side.
What’s in his head?  Don’t know what’s in his head,
But I trust his expertise.  He’s...

Different, this Daniel.  Dizzy ol’ Daniel.
What is this Daniel’s plan?

Mr. Bojangles

Here We Are In the Past (Years May Come, Years May Go, Jack Fishman / Andre Popp / Jean Massoulier)

"The record is spinning again. We're just not on the song we wanna be on."

- Daniel, LaFleur

Here's a little ditty in which Sawyer, Juliet, Daniel and Horace do some reflecting on the 1974 events of LaFleur, to the tune of the Irish Rovers' Years May Come, Years May Go.

Here We Are in the Past

Sawyer: We might be in a bind,

But I don’t really mind.

I think a haughty hippie beats flashin’ through time.

Don’t have to deal with Ben -

Or if we do, he’s ten.

It’s kinda cool to see history.

Sawyer: Here we are  

(Daniel: Thirty years from when we are)

Sawyer: In the past.

(Daniel: 815 will crash.)

Sawyer: Well, what now?

(Daniel: We’ve been in the Seventies)

Sawyer: Will this last?

(Daniel: Since the final flash.)

Sawyer: If it does,

(Daniel: Now I think we’ve seen the last of)

Sawyer: Pick a pad,

(Daniel: Kate, Sayid and Jack.)

Sawyer: ‘Cause this place

(Daniel: Yes, the record’s spinning but)

Sawyer: Ain’t so bad.

(Daniel: We’re on another track.)    

Juliet: I don’t know what to do,

‘Cause James, I’m sweet on you

But can’t erase the pain this place put me through.

The course of time’s grown smooth,

So could our luck improve,

Or will we stay and then grieve again?

Sawyer: Here we are  

(Daniel: Thirty years from when we are)

Sawyer: In the past.

(Daniel: 815 will crash.)

Sawyer: Well, what now?

(Daniel: We’ve been in the Seventies)

Sawyer: Will this last?

(Daniel: Since the final flash.)

Sawyer: If it does,

(Daniel: Now I think we’ve seen the last of)

Sawyer: Pick a pad,

(Daniel: Kate, Sayid and Jack.)

Sawyer: ‘Cause this place

(Daniel: Yes, the record’s spinning but)

Sawyer: Ain’t so bad.

(Daniel: We’re on another track.)    

Horace: Jim, you helped us out.

I’m sorry for my doubt,

And you just bought yourself a spot.  Yeah, you’ve got clout.

I guess it isn’t true

That DHARMA’s not for you;

I never thought you’d be saving me.

Sawyer: Here we are  

(Daniel: Thirty years from when we are)

Sawyer: In the past.

(Daniel: 815 will crash.)

Sawyer: Well, what now?

(Daniel: We’ve been in the Seventies)

Sawyer: Will this last?

(Daniel: Since the final flash.)

Sawyer: If it does,

(Daniel: Now I think we’ve seen the last of)

Sawyer: Pick a pad,

(Daniel: Kate, Sayid and Jack.)

Sawyer: ‘Cause this place

(Daniel: Yes, the record’s spinning but)

Sawyer: Ain’t so bad.

(Daniel: We’re on another track...)